Felix Förtsch
4057b692ba
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two simplifications to how we pick and transcode the one-per-language audio track, motivated by seeing inconsistent DTS → FLAC vs DTS → EAC3 outputs in the wild: transcode target: - drop the FLAC path entirely. every incompatible source now targets EAC3 regardless of container or lossless/lossy status - FLAC for movie audio is bad value: ~2-3× the file size vs EAC3, no Atmos spatial metadata (TrueHD Atmos → FLAC silently loses Atmos), no AVR passthrough on Apple TV - one target = no more container-conditional surprises winner within a language group (betterAudio): - new priority: highest channels → Apple-compatible → default → index - old order put 'default' on top which forced a DTS-HD MA transcode even when an AC3 track at equal channels was right next to it. flipping means AC3 beats DTS-HD MA at the same channel count — pure copy instead of a lossless-then-re-encode round trip - channel count still dominates, so 7.1 TrueHD still beats 5.1 AC3 (and gets transcoded, which is the right call for real surround) tests: new case for DTS-HD MA default + AC3 non-default at 5.1 → AC3 wins, job_type=copy. new case for 7.1 TrueHD beats 5.1 AC3 default. every other existing test still holds.